Fox Hastings

Following is the article which is quoted most often on the net, or reproduced in full, usually without credit to the original web page.


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Fox Hastings was one of the first and only female bulldoggers in rodeo history. Her fastest time was 17 seconds, a record she set in 1924.
Born Eloise Fox, she ran away from her California home at the age of 14 to begin her career riding bucking horses and trick riding. Joining Irwin Brother's Wild West Show she rode on one of the fastest running trick riding horses performing at that time.
After marrying fellow rodeo star Mike Hastings, Eloise Fox dropped her first name, becoming Fox Hastings. She made her bulldogging debut at a 1924 rodeo in Houston, receiving help and encouragement from her husband, himself a highly successful bulldogger.
"To the rodeo crowd she is Fox Hastings, cowgirl extraordinary. To neighbors, she is Mrs. Mike Hastings, a good cook and tidy housekeeper." Cowgirls, Savage p.73, quoting Newspaper Story.
Her career was marked by injuries and spectacular performances, as this account illustrates: "Notable among the special attractions was Fox Hastings who, though she had suffered a broken rib the day before the show opened, bulldogged her steer each of the three days of the rodeo proper. She had a contract to fulfill and she couldn't let the management down..."
Sadly, in 1948, Fox Hastings took her life in a Phoenix, Arizona hotel. But she is still remembered today as one of the pioneer ladies of the rodeo.

http://www.cowgirls.com/dream/cowgals/hastings.htm

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http://www.nationalcowboymuseum.org/research/r_a_gilb.html

GUIDE to the
ESTELLE GILBERT PAPERS, 1923-2003
ESTELLE GILBERT (1912-2003). Papers, 1923-2003.
0.6 cubic feet (1 document box, 1 oversized folder).
Location: 0174; Flat File 2/Drawer 1.

Introduction:

Papers and photographs of Estelle Gilbert, a horsewoman, rodeo performer, and longtime friend of Rodeo Hall of Fame steer wrestler Mike Hastings. The collection features more than 40 letters written to Gilbert by Hastings over a period of 18 years and almost 20 photographs of New York rodeos and rodeo performers in the late 1940s and early 1950s. A Mike and Fox Hastings scrapbook covering 1925-1927, photographs of early rodeo performers including a Mabel Strickland photograph inscribed to Fox Hastings, and a reminiscence of Fox Hastings by Reba Perry Blakely are also included.

Biography:

Estelle Gilbert was born December 8, 1912 in Ansonia, Connecticut, but moved to Great Neck, Long Island when she was four years old. As a child she learned to ride horses and always had a great love for animals. After graduating from high school, she moved to New York City where she took a position as a secretary for an insurance company. In 1939, Gilbert bought a horse, which she boarded at Cimarron Ranch, a dude ranch near Peekskill, New York. She enjoyed life at the dude ranch, and in 1940 accepted an office position at the ranch, which allowed her to spend more time riding. Work as a trail ride escort and riding instructor soon followed. She became acquainted with Mike Hastings, a former rodeo performer who was foreman of the ranch.

She also worked for a time at Gene Autry’s Flying A Ranch near Ardmore, Oklahoma, a job she got through Hastings who had worked as a stock contractor for Autry. Under the tutelage of Hastings, she was able to expand her riding abilities to include barrel racing and trick riding, and she was eventually able to rodeo competitively in these events in the late 1940s and early 1950s. During this period she became a dude ranch commuter, spending summers at the Cimarron Ranch in New York and winters at the Desert Willow Ranch near Tucson, Arizona.

In the late 1950s, when she was too old to rodeo and commute, she settled down near the Cimarron Ranch on her own “two-horse ranch.” She was friend and companion to Mike Hastings until his death in 1965. She continued to live in the Peekskill, New York area, most often working as a waitress, until 1979, when she moved to California. She eventually settled in Yucaipa, where she became active in civic affairs, including the local animal shelter. She died at the age of 90 on August 17, 2003.

Mike Hastings, who is a primary focus of the collection, was born Paul Raymond (Mike) Hastings in Cheyenne, Wyoming on October 23, 1891. At 11, he ran away from home and found work breaking wild horses. He entered his first rodeo in 1910 at Laramie, Wyoming. He was an old school rodeo performer who was willing to take a crack at just about any rodeo event, but steer wrestling was his claim to fame. It is said that African American rodeo cowboy Bill Pickett, who introduced the bulldogging or steer wrestling event to rodeo, taught Mike his technique, which included biting the lower lip of the steer after throwing it to keep it down. He was also the owner of Stranger, one of the greatest bulldogging horses ever.

In 1917, when the late Duke of Windsor (then Prince of Wales) was a boy, he and the Royal Family attended a rodeo performance at Saskatoon, Saskatchewan in which Hastings was participating. During a backstage visit, Mike put the young Prince on a horse and led him around the corrals. In 1924, when Mike was participating in the first international rodeo in London, the Prince presented Hastings with a thoroughbred horse in appreciation of the thrill he had had riding a real American cowboy horse.

Mike Hastings was married to Eloise Fox Hastings, who ran away from convent school at 16 to join a Wild West show. After she met up with Hastings, he taught her to ride and rodeo, and in 1924 she became the first woman steer wrestler. Later they were divorced.

Between 1928 and 1936 Hastings was the stock boss for rodeo impresario Colonel W. T. Johnson. In 1939, after he returned from working rodeo in South America, he took a ride up to the Cimarron Ranch dude ranch near Peekskill, New York; he fell in love with the place and was at Cimarron until the end of his life in 1965. He was responsible for the ranch livestock and staged weekend rodeo performances for the guests.

His only two extended absences from Cimarron were at the request of Gene Autry. In 1941 he purchased the stock that served as the nucleus of Autry’s new Flying A Ranch Rodeo, and in 1942 Autry brought Hastings out to help on his ranch near Ardmore, Oklahoma, which he did until Autry entered the United States Air Force in 1943.

In addition to his work on the Cimarron Ranch and his friendship with Estelle Gilbert, Hastings also found time to mentor Peekskill local Harry Tompkins, who would go on to be one of the top bull riders in the world. Mike died in 1965, and Estelle Gilbert scattered his ashes on the Texas property owned by the children of Col. W. T. Johnson, which had been his request. In 1974, Mike Hastings was inducted into the Rodeo Hall of Fame.

Sources
LeCompte, Mary Lou. Cowgirls of the Rodeo. Urbana, Ill.: University of Illinois Press, 1993.
Porter, Willard H. Who’s Who in Rodeo. Oklahoma City: Powder River Book Company, 1982.

Scope and Content:

The collection is arranged into three series, Correspondence, Subject Files, and Photographs.

Correspondence (1940-2001) series is comprised primarily of more than 40 letters written by Mike Hastings to Estelle Gilbert between 1940 and 1958. These letters by the rough-hewn and unlettered Hastings document his life on the Cimarron Ranch and working for Gene Autry, the lives and loves of his friends and associates, injuries and illnesses, and his evolving relationship with Gilbert. Hastings relates incidents such as a horse theft by a gang of teenagers and the shipment of some saddles to Autry’s Oklahoma ranch, which were eaten by insect larvae before they could be unpacked. Mentioned in the correspondence is rodeo promoter Frank Moore, Cimarron Ranch owners Vern and Lu Walters, and Vern’s brother C. J. Walters, who also owned a dude ranch in the area. Also included in the correspondence are two typed Cimarron Ranch daily schedules and a mid-1950s brochure for New York dude ranches.

Other correspondence includes some letters to Gilbert from the National Cowboy Hall of Fame concerning the donation of items belonging to Mike Hastings, correspondence with friend and rodeo performer Harry Tompkins, and a 1952 letter from author and illustrator Paul Laune that discusses his wife’s problems with alcohol and mentions photographer Charles Eggert’s trip out west to photograph in the National Parks.

Subject Files (1925-2003) series includes newspaper and magazine clippings about Gilbert, Hastings, and other rodeo friends; a legal document concerning a 1945 Florida land purchase; some items related to rodeo, including photocopies of one of Gilbert’s Gene Autry’s Flying A Ranch Rodeo pay stubs and the original 1936 Rodeo Cowboy Turtles Association petition; and some short writings by Gilbert. Collection highlights include a nicely-done Mike and Fox Hastings scrapbook covering 1925-1927 that includes the usual newspaper clippings, but also some more unusual items such as a 1926 subpoena for Mike Hastings to testify in a criminal trial of rodeo clown Red Sublett in Tucson, Arizona. There is also a 1976 reminiscence of Fox Hastings written by fellow rodeo cowgirl Reba Perry Blakely.

Photographs (1923-ca. 1960) series primarily documents Gilbert’s rodeo career and her friendship with Hastings and others associated with the Cimarron Ranch, but also includes some earlier rodeo performers known by Mike and Fox Hastings. Included are four panoramic group photographs of the performers from the 1946, 1947, 1951, and 1952 World’s Championship Rodeos at Madison Square Garden, which include Gilbert; group photographs featuring Gilbert, Hastings, Jasbo Fulkerson, Sally Rand, Roy Rogers, Vern and Lu Walters, and others; backstage photographs from the 1951, 1952, and 1953 Madison Square Garden rodeos; photographs, some autographed, of Tex Austin, Eddie Burgess, Ruth Roach, Mabel Strickland, and other early rodeo personalities; and several late-1940s photographs of performers from Gene Autry’s Flying A Ranch Rodeo, including Estelle Gilbert and Gene Autry. Also included is a short 16mm color film of Gilbert riding at Cimarron Ranch dating from the early 1940s.

Subject Terms

Personal Names:
Autry, Gene, 1907-
Eggert, Charles
Fulkerson, Jasbo, 1904-1949
Gilbert, Estelle, 1912-2003
Hastings, Fox, 1882-1948
Hastings, Mike, 1891-1965
Johnson, W. T.
Laune, Paul
Moore, Frank
Rand, Sally, 1904-1979
Rogers, Roy, 1911-
Strickland, Mabel DeLong, 1897-1976
Sublett, Red, 1894-1950
Tompkins, Harry, 1927-

Corporate Names:
Cimarron Ranch (Peekskill, N. Y.)
Gene Autry’s Flying A Ranch Rodeo

Subject Headings:
Cowboys—New York
Cowgirls—New York
Dude ranches—New York
Rodeo honorees
Rodeo performers—New York
Rodeo performers—Wyoming
Rodeos—New York—New York
Steer wrestling

Processing Note:

The collection was donated in two parts: by Estelle Gilbert in 1993 and by Jerry Cape of Yucaipa, California in April 2004. Jonathan Nelson processed the collection in May 2004. Seven rodeo programs were separated to the Rodeo Program Collection and five items of rodeo memorabilia were separated to the museum’s rodeo collection.

Ownership and Literary Rights:

The Estelle Gilbert Papers is the property of the Donald C. & Elizabeth M. Dickinson Research Center, National Cowboy & Western Heritage Museum. Literary right, including copyright, belongs to the National Cowboy & Western Heritage Museum, with the exception of copyrighted artwork images and published literary works, which are the property of the respective copyright holders. It is the responsibility of the researcher, and his/her publisher, to obtain publishing permission from individuals pictured, relevant copyright holders, and the National Cowboy & Western Heritage Museum.

Restrictions on Access:

The collection is open for research. It is advisable for researchers to discuss their proposed research with staff prior to visiting the Center.

Preferred Citation:

Estelle Gilbert Papers, Box 1, Folder ##, Dickinson Research Center, National Cowboy & Western Heritage Museum, Oklahoma City, Oklahoma.
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http://www.nationalcowboymuseum.org/research/r_a_rode.html

GUIDE to the
COLLECTION OF RODEO PROGRAMS AND EPHEMERA, 1905-2004
DICKINSON RESEARCH CENTER. Rodeo programs and ephemera, 1905-2004.
21.5 cubic feet (42 document boxes, 1 flat box).
Location: 0351-0365.

Introduction:

The Collection of Rodeo Programs and Ephemera includes more than 1,500 souvenir programs, daily programs, brochures, prize lists, rules and other ephemera from a wide variety of rodeos throughout the United States and several foreign countries.
History:

Over the years the National Cowboy & Western Heritage Museum accessioned many donated rodeo programs, brochures and related ephemera from the Museum affiliated Rodeo Historical Society and other sources. This material had been kept as a vertical file collection, but to increase researcher access the decision was made to improve the arrangement and create a finding aid.
Scope and Content:

The collection has been arranged in two series, United States and Foreign.
United States <r_a_rode_series1a.html> (1905-2004) comprises the bulk of the collection. The programs in this series document rodeos in 40 states and from every decade of the 20th century and into the 21st century. While the vast majority of the programs are original, a small number of the earliest programs are photocopies. Among the rodeos with the strongest coverage are La Fiesta de los Vaqueros, Tucson, Arizona; Pikes Peak or Bust Rodeo, Colorado Springs, Colorado; National Western Stock Show, Denver, Colorado; War Bonnet Round-Up, Idaho Falls, Idaho; World’s Championship Rodeo, Boston, Massachusetts; World’s Championship Rodeo, New York, New York; National Finals Rodeo, Oklahoma City, Oklahoma; Pendleton Round-Up, Pendleton, Oregon; Southwestern Exposition and Fat Stock Show, Fort Worth, Texas; and Cheyenne Frontier Days, Cheyenne, Wyoming.
Highlights of the collection include extensive documentation of the 1939 World’s Championship Rodeo at Madison Square Garden, including typed daily event and contestant lists with handwritten notes and livestock lists from the rodeo; a complete media package from the 1959 National Finals Rodeo held in Dallas, Texas; almost 40 years of Cheyenne Frontier Days programs dating from 1905 to 1996, including a deluxe 1931 program with a fold-out panoramic photograph of the performers and grandstand; 17 different daily programs and the souvenir program from the 1930 World Series Rodeo in New York City; and all souvenir programs and many daily programs from the National Finals Rodeos held in Oklahoma City, Oklahoma between 1965 and 1984.
In addition to documenting rodeos, the programs also document the professional activities of a wide variety of rodeo cowboys and cowgirls. The rodeo performers who appear in the programs are virtually a who’s who of 20th century professional rodeo including cowboys Larry Mahan, Slim Pickens, Jim Shoulders and Leonard Stroud and cowgirls Marie Gibson, Fox Hastings, Tad Lucas and Vera McGinnis along with many others. The collection also documents the activities of local and regional rodeo performers who competed in small town rodeos throughout the United States. Some daily programs have contest results noted. Additionally, the programs highlight a variety of musical, film and television performers such as Roy Rogers, Dale Evans, Lorne Greene, Clayton Moore, Liberace and others who appeared at some large venue rodeos. “Gunsmoke” stars Ken Curtis and Milburn Stone autographed the 1965 San Angelo Fat Stock Show & Rodeo program. Named Native American performance groups and rodeo specialty acts also appear in a number of programs.
The programs provide many examples of early 20th century small town advertising. Programs from larger venues include many instances of rodeo and cowboy themed advertisements.
Foreign <r_a_rode_series1b_2.html> (1924-1971) includes rodeo programs from Australia, Canada, Cuba, England, France, Germany, and Mexico. Highlights include 13 different daily programs from the First International Rodeo, held in London in 1924 and the souvenir program and nine different daily programs from Tex Austin’s World’s Championship Rodeo, held in London in 1934.
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http://www.wyomingtalesandtrails.com/frontierdays4c.html

Frontier Days
Continued from Previous Page.
From Wyoming Tales and Trails
This Page, Frontier Days continued; Lulu Bell Parr; Mabel Strickland; Fox Hastings; Ruth Roach; Brian Roach.

Note that Lorena Tricky's arm is in a cast. She participated in multiple events on the circuit, winning two Roman Races, but was most famous for her technique in relay races where she would literally transfer from the back of one to the back of the other. One time she caught her pants on the saddlehorn ripping them wide open. Her first entry was in San Francisco, and she later entered in Cheyenne, Pendleton and Madison Square Garden. At Cheyenne she was the winner of the 1920, 1921, 1924, and 1925 Ladies' Relay. Additionally, she won the 1921 Ladies Saddle Bronc contest. In one Ladies' Relay she entered with a broken leg with the cast removed before the race. She accepted the trophy while on crutches. In one saddle bronc contest she entered with a dislocated shoulder. Other injuries sustained over the years included a skull fracture, a broken jaw, and dislocated ribs. In 1927, she was acquitted of murdering her abusive boy friend. Later she served a a stunt double for Mary Pickford. Her McAlpin Trophy awarded by a New York hotel for winning the World Championship Cowgirls Relay race is on display in the National Cowboy and Western Heritage Museum.
Other cowgirls suffered injuries. Tad Lucas, winner of the 1930 and 1931 Ladies' Relay, had her right forearm crushed in the 1933 Chicago Show when her horse stepped on her arm and kicked her. By 1935, she was again on the circuit. The following year in 1936, her horse stepped on her back, but by the end of the year she was again riding.

Ruth Roach, Photo by Ralph Doubleday.
Ruth Roach, winner of the 1919 Women's Saddle Bronc contest, had her left leg crushed at Madison Square Garden in 1933. A year later she was again thrown from her horse and broke her wrist. Alice Greenough crushed her ankle at El Paso and was on crutches for two years. At Madrid, Spain, she was thrown and was in a coma for four days. Later in Australia, she received injuries to both knees when a horse fell on her. Bonnie McCarrol, winner of the 1922 Frontier Days Ladies' Saddle Bronc contest, was killed at Pendleton in 1929. She was riding "hobbled." When thrown, she became caught up in her gear and was trampled to death. Riding "hobbled" is with the stirrups tied under the horse. Riding "slick" is with the stirrups hanging loose. Women riders customarily rode hobbled. Men rode slick.

Brian Roach of Chickasha, Oklahoma, was the winner of the 1919 Calgary stampede Bronc riding contest and the 1919 Fort Worth Steer Riding Contest, and also was a performer with the Miller Bros. 101. There he met and married Ruth Scantlin. Ruth Roach became one of the leading cowgirl rodeo stars and won the 1920 Frontier Days Ladies' Bronco Contest.
Frontier Days Cowgirl entrants, approx. 1926. Left to Right: Bea Kirman, Fort Worth; Rose Smith, El Paso; Mabel Strickland, Walla Walla; Fox Hastings, Pendleton; Ruth Roach; Fort Worth; Florence Hughes, San Antonio. Photo by Ralph Doubleday
The original caption for the photo indicates that all were expected to compete for "King Kalakauna's spurs -- the prize of all broncdom at the Frontier Days celebration to open at Cheyenne, Wyo. on July 22nd."
Although Ruth Roach and Brian Roach divorced, she continued for the remainder of her career under the name of Ruth Roach. Mrs. Roach was also noted for her sense of humor and for being somewhat bosomy. In one contest she caught her blouse and bra on the saddlehorn, ripping both wide open. As the rodeo officials rushed forward to protect her modesty, she commented: "I sure do thank you boys. I thought before I got off that bronc I was gonna black both my eyes." Mrs. Roach died on her ranch in Texas in 1986.
Rose Smith was the wife of Oklahoma Curly Roberts. Florence Hughes was a trick rider weighing only 90 pounds. Two other cowgirls in the photo, Mabel Strickland and Fox Hastings, were a part of husband and wife teams closely associated with Frontier Days. Mabel DeLong Strickland (1897-1976) was married to 1916 and 1920 Saddle Bronc Champion, Hugh Strickland. Mabel started entering rodeos while still in high school at age 16 in Walla Walla. There she won the 1913, 1914, and 1915 Trick Riding Contest. She married Hugh in 1918. In Cheyenne she won the 1922 and 1923 Ladies' Relay Championship and the 1923 Ladies' Saddle Bronc contest. in 1925 she roped and tied a steer in 24 seconds. The following year she appeared on the Frontier Days Program cover riding Mike Hastings' horse "Stranger."
In 1941, Hugh Strickland died. Mabel subsequently remarried to Sam Woodward. The Mabel Strickland Woodward Museum in Cheyenne is named in her honor.
The dates shown on the photo are not in error. Although Frontier Days is now conducted in the last full week of July, in its early years the Rodeo was held in August. Lulu Bell Parr (1876-1955) was an alumna of many of the early wild west shows. In 1903 she joined Pawnee Bill's. In 1908 she joined Col. Frederick T. Cummins' Famous Indian Congress and Wild West performing at Brighton and appeared before Edward VII. She later rejoined Pawnee Bill. By 1911, she had joined the Miller Bros. 101 and was included within their Argentinian tour in 1913. Even in the dying days of wild west shows she continued to perform with the King Brothers as late as 1929 at age 53. In 1937, facing poverty, Parr moved in with her brother and sister-in-law in their tarpaper shack in Dayton, Ohio. There she remained surrounded by mementos of better years until her death of a stroke in 1955.
Eloise Fox Hastings was married to Paul Raymond "Mike" Hastings (1891-1965), a bulldogger and steer wrestler. For discussion and photos of Mike Hastings, see subsequent pages. Fox Hastings ran away from a convent at age 16 and joined the Irwin Bros. Wild West show. She learned bulldogging from Mike. The two later divorced. She remarried. In 1948, her husband died of a heart attack. Two weeks later she committed suicide in her hotel room in Phoenix, Arizona.

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http://www.rodeoattitude.com/dir_hd/gail/index.htm

BEHIND THE CHUTES AND ELSEWHERE COWGIRLS DON’T JUST HAPPEN
THEY EARN THE TITLE
Most girls, born on ranches, were put atop a horse when they were still in diapers by a dad or grandpa. Some stayed on a horse for the rest of their lives and were fortunate enough to know the true meaning of a cowgirl. But not all cowgirls began that way. Some young-uns cut their teeth on silver spoons, or in the middle of a major city, never knowing a thing about a horse, like how soft his upper lip is when it nuzzles up against your arm, or how the trusty steed will stand there when you fall off and wait for you to get back on.
It’s not their fault, those city girls, that they didn’t start out with ‘country smarts’. But some of them became the best cowgirls that were ever made. Back in the beginning of rodeo and wild west there were women who bulldogged steers, rode broncs, trick rode and roped, rode race horses or Roman rode with a foot on each horse, but had started out in a much different world. The story of Claire Belcher Thompson is that kind of a story.
Claire, whose real name was Gladys Rogers Emmons, was born in Mansfield , Massachusetts , on February 4th, 1902 , to Florence and Henry Emmons. In 1907 her mother divorced Emmons and brought Gladys to her grandmother, Frances Rogers Harding, and left her.
Grandma Harding, and her aunt, Mabel Barnes, lived in Mansfield , and raised Gladys to be a proper young woman. She studied piano at the Conservatory of Boston and attended LaSalle Junior College for one year. Her aunt also introduced her to horses and riding in a proper way, including dressage.
Gladys married at eighteen, a young man by the name of Sumner Barton Kirby, and the following year, 1921, they had a daughter, Miriam Frances, who died ten days later of meningitis. The sudden death of her daughter saddened Gladys and soon her marriage fell apart.
She met a rodeo performer named Bob Belcher, whose expertise was as a bulldogger. Her background with horses and the handsome cowboy gave her a new direction. Bob taught her to bulldog steers. By 1925 they were working on the 101 Wild West Show. She changed her name to Claire and was listed in their program as Claire Belcher, a lady bulldogger. She also rode broncs, did some trick riding and was ready to try anything. It is stated by a Kansas City newspaper that Claire and Bob Belcher led the grand entry of the 101 Wild West Show there in 1925. By 1929, however, she and Bob were divorced.
Although the media was sparse in her day Claire got plenty of publicity. Her varied abilities and outgoing personality caused her to be the subject of many articles. Her name could be found often in the Billboard, an early day vaudevillian periodical, that had a column for rodeo and wild west performers, called The Corral; True West Magazine; Hoofs & Horns, just to name a few.
She married Jack ‘Red’ Thompson who was a trick roper, who won many contests, as well as a bulldogger. The two traveled the ‘rodeo road’ from New York to Tucson to Cheyenne to Fort Worth to Kansas City , Chicago , Madison Square Garden and London , England . Claire was often feted against Fox Hastings, another cowgirl bulldogger, at various rodeos. She also won the lady bronc riding at London in the Tex Austin rodeo there, 1934. This versatile couple was well known in rodeo circles, and their names often appeared in the win columns of rodeo results. They had a wonderful life and the young woman raised in the east, knowing nothing about the western way of life had taken to the life of a cowgirl with ease. In fact in many interviews she would tell the reporter she was born in Uvalde , Texas , on a ranch. It is surmised she thought her eastern upbringing didn’t seem quite natural for a cowgirl of her abilities.
At the Burwell, Nebraska , rodeo in 1936 Red Thompson was gored by a steer and was never able to compete again. Although he lived until 1950 his condition deteriorated over the years. Claire spent much time caring for him. She tried to continue competing in rodeos and hoped they could live off her earnings, but when that was not enough she put on weekend rodeos, with Richard Akerman, at the Bar C Ranch, near Fort Worth , to help raise money for Red’s medical expenses. Many of their rodeo friends helped, including Mitzi Riley and her mother, Tad Lucas, who was a good friend. Claire did many things to make money. She wrote a column for Hoofs & Horns magazine called “Cowgirl Comments”, and later she was a columnist for “Powder Puff & Spurs” a women’s rodeo magazine. She also assisted the Marine Corp in their recruitment for World War II.
She moved to Lake City , Florida , in 1960 after Red Thompson died. She married Frank S. Lohre in 1963. Claire knew Frank from her 101 Wild West days as he had been in the management end of the business. Claire (Gladys Rogers Emmons) Lohre died on April 11, 1971 , in Lake City , Florida , and is buried in the Spring Brook Cemetery in Mansfield , Massachusetts . She was, a true cowgirl that earned her title.
Claire’s descendants are working very hard to gather as much information about this early day cowgirl as possible. She did not keep in touch with her family during the latter part of her life and they would like to put the pieces of her life together. If you have any knowledge of her please contact me by e-mail @ rodeogal@airmail.net <mailto:rodeogal@airmail.net>, and I will put you in touch with her family.
http://www.rodeoattitude.com/dir_hd/gail/index.htm

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http://72.14.209.104/search?q=cache:dh3mJx5PoKMJ:www.cowgirlart.net/foxbio.doc+%22Fox+Hastings%22+%2Brodeo&hl=en&ct=clnk&cd=50&gl=us
Cowgirl Art by Sharon K. Hunt
*FOX HASTINGS*
© Sharon Kay Hunt, 2003
3rd from right
Eloise Fox Hastings, born Eloise Fox, ran away from a convent school in California at the age of 16 to marry rodeo cowboy Mike Hastings. She dropped her first name and became Fox Hastings. She joined the Irwin Brothers Wild West Show and performed trick and bronc riding on one of the fastest running trick riding horses of the time.
Her cowgirl career began in 1924 with a bulldogging exhibition at the Houston Stock Show. Hastings went on to ride rough stock and was known to remark before she sprinted out of a chute: “If I can just get my fanny out of the saddle and my feet planted, there’s not a steer that can last against me.”

Foghorn Clancy, a flamboyant rodeo announcer and publicity man, made her the most photographed and interviewed cowgirl of the late twenties. But Clancy didn’t do it all. Fox was very good at her event. She established a record time of seventeen seconds in 1924. She was a charismatic performer, who could smile at the camera while lying in the mud, still clinging to the neck of a freshly thrown steer.
Fox was a flashy dresser while performing trick and bronc riding. She sported bold colors and enormous bows in her red hair. When she was bulldogging, however, the attire was quite a contrast. It copied cowboy steer wrestlers, and included boots laced to the knees, knickers, turtleneck sweaters, and sometimes football helmets instead of hair ribbons.
Although the press was traditionally respectful of cowgirl athletes, Hastings masculine attire and participation in a rough, traditionally male event caused the press to stress her domestic side. The following is an example: “To the rodeo crowd she is Fox Hastings, cowgirl extraordinary. To neighbors she is Mrs. Mike Hastings, good cook and tidy housekeeper.” The stress of rodeo life, however, ended that marriage.
In the forties, Fox developed tuberculosis, an illness not uncommon among rodeo and livestock professionals of those times. Her second husband Chuck was by her side through several agonizing years of treatment, but the joy of learning that the disease was in remission was short-lived. On August 2, 1948, Chuck Wilson died of a heart attack. Two weeks later at the Adams Hotel in Phoenix, Arizona, the fifty-year-old cowgirl died of self-inflicted gunshot wounds to the head and stomach. She left the following note to her employer: "I didn’t want to live without my husband."

Eloise Fox Hastings Wilson was inducted into the National Cowboy Hall of Fame, Oklahoma City, Oklahoma in 1987.
The photograph used for this drawing of Fox was taken in 1930 at the Houston, Texas show.
____________________
Original Photographs from the Collection of the National Cowgirl Museum and Hall of Fame, Fort Worth, TX
Crandall, Judith Cowgirls Early Images and Collectibles Schiffer Publishing, Ltd.
Flood, Elizabeth Clair Cowgirls Women of the Wild West Zon Publishing Co.
Le Compte, Mary Lou Cowgirls of the Rodeo University of Illinois Press
http://72.14.209.104/search?q=cache:dh3mJx5PoKMJ:www.cowgirlart.net/foxbio.doc+%22Fox+Hastings%22+%2Brodeo&hl=en&ct=clnk&cd=50&gl=us
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LINK LIST:

http://www.rodeocountry.org/catherinedevinerodeo.htm Rodeo’s Renegade Roses, a poem by Catherine Lilbit Devine: "Henderson, Riley, Hastings & Creed / To the “Men Only” rule they all paid no heed / They broke records & bones, faced derision & fear / Riding Broncs, Raising families, they juggled home & career / Nasty wrecks were a given but they seemed to bounce back..."

Catherine Lilbit Devine
PO Box 837
Vail, AZ 85641
520-298-7639
520-548-3191
whisperswest@yahoo.com


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Rqst. permission to use photo, webmaster is Jake Jacobson <tucariz@myexcel.com>

http://www.tucsonrodeoparade.com/Pages001/Album.htm Photographs from the 1925 Parade and the Rodeo at Santa Catalina (Kramer) Field Photo caption: "Fox Hastings was one of the first and only female bulldoggers in rodeo history. Her fastest time was 17 seconds, a record she set in 1924."

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https://id286.securedata.net/cowboysandimages.net//merchantmanager/view_information.php?pId=13 Cowboys and Images "Cowboys, cowgirls and events from Rodeo’s “Golden Age”. A selection of custom prints, made one-at-a-time, ... Fox Hastings 11” x 14” Custom Art Print ..."

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http://search.ebay.com/Fox-Hastings_W0QQcatrefZC6QQfposZQ5AIPQ2fPostalQQfromZR10QQfsooZ2QQfsopZ2QQftrtZ1QQftrvZ1QQsacatZQ2d1QQsadisZ200QQsargnZQ2d1QQsaslcZ2QQsbrftogZ1QQsofocusZunknown Fox Hastings Current e-bay search for items related to Fox Hastings.



http://www.rodeoattitude.com/dir_hd/gail/mable_03.htm Mabel Strickland "The book, BOB CROSBY, WORLD CHAMPION COWBOY, written by his wife, Thelma Crosby & Eve Ball, she wrote, “The parade through the streets of Cheyenne was always a thrilling spectacle. That year ( 1925) it was led by Mabel Strickland astride her beautiful white horse, carrying an American flag. Behind her rode Nellie Tayloe Ross, Governor of Wyoming.” In 1926 the cover of the Cheyenne Frontier Days program was a photograph of Mabel Strickland riding a bronc named Stranger. The only woman to ever be featured on the cover of the program.
Hugh Strickland enjoyed pitting Mabel against male steer ropers, and finally they encourage him to do contract exhibition steer roping. It was no secret they were ‘tired’ of having Mabel as competition! She rode Buster, Hugh’s roping horse, for her trick riding performances. She did hippodrome stands, vaults, and even passed under the belly of the horse.
In 1922 Mabel had won at many rodeos, - Cheyenne, Pendleton - to name a couple. By the time they arrived at Madison Square Garden in the fall her arrival and activities were covered by the press. She had won the important McAlpin Trophy and invitations were many. Mrs. William P. Hamilton, chairman of the Argonne Association, invited the rodeo participants to a dinner, where she displayed Strickland’s trophy. A New York Herald reporter wrote that Mabel, along with Bonnie McCarroll and Fox Hastings, all clad beautifully in evening gowns, had “utterly ruined all Eastern ideas concerning lady broncho busters.” - by Gail Woerner

http://books.google.com/books?id=pxCm62KCJ4kC&pg=PA76&lpg=PA76&dq=%22fox+hastings%22+rodeo&source=web&ots=zEF09SI5hp&sig=NDxJ87DtLbsG1R8AE2HiW4S2TuE&output=html Cowgirls A page from the book by



http://econtent.unm.edu/cdm4/item_viewer.php?CISOROOT=/acpa&CISOPTR=1512&CISOBOX=1&REC=18 Photo caption: "Group of cowgirls from top left; Fox Hastings, Bea Kirnan, Rose Smith and Mabel Strickland. Bottom row left to rights; Ruth Roach and Florence Fenton ". (The Tex Austin Collection is comprised of over 4,000 items including photographs, film and glass negatives and ephemera on the subject of rodeos 1922 - 1935)
http://econtent.unm.edu/cdm4/item_viewer.php?CISOROOT=/acpa&CISOPTR=1512&CISOBOX=1&REC=18

http://www.cartermuseum.org/collections/smith/collection.php?asn=LC-S6-531&mcat=5 Cowboy Photographer: Edwin E. Smith Photo caption: "Texas rodeo performer [Fox Hastings], 1920-1935. Gelatin dry plate negative."

http://www.wwfrontier.nu/poem.html Wild Women of the West Poem by Danielle Fienhage AKA Cynthia Ann Parker.


http://www.cowgirls.com/dream/cowgals/hastings.htm Fox Hastings: A Biography


http://www.cowgirls.com/ www.cowgirls.com/


http://item.express.ebay.com/Collectibles_Photographic-Images__1920s-Cowgirls-of-the-Cheyenne-Rodeo-Photo_W0QQitemZ6195960787QQihZ010QQddnZCollectiblesQQadnZPhotographicQ20ImagesQQcmdZExpressItem 1920s Cowgirls of the Cheyenne Rodeo Photo Photo for sale on ebay as of 4 April 2007.

http://cartermuseum.com/collections/smith/collection.php?asn=LC-S6-577&mcat=5 Cowboy Photographer: Erwin E. Smith Photo caption: "Rodeo Cowgirl Contestants [Standing from left: Florence Hughes Randolph, Ruth Roach, Mabel Strickland, Reine Hafley Shelton, Mildred Douglas, Bonnie McCarroll, Rose Smith, Maud Tarr; squatting from left: Bea Kirnan, Mayme Stroud, Fox Hastings], ca. 1925-1926. Gelatin dry plate negative."



http://books.google.com/books?id=pxCm62KCJ4kC&pg=PA70&lpg=PA69&ots=zEF0aSDZkj&dq=%22eloise+fox%22&output=html&sig=-PC5I2jRaTsC_03WVnHdtx-BhQ4 Composite photo of Fox Hastings, from Cowgirls By Candace Sherk Savage




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BIBLIOGRAPHY

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http://www.amazon.com/Cowgirls-Rodeo-Pioneer-Professional-Athletes/dp/0252020294

http://www.amazon.com/Cowgirls-Rodeo-Pioneer-Professional-Athletes/dp/0252020294 Cowgirls of the Rodeo: Pioneer Professional Athletes

Cowgirls of the Rodeo: Pioneer Professional Athletes (SPS) (Hardcover)
by Mary LeCompte (Author) "American rodeo owes its very existence to the public's continuing fascination the cowboy hero, and what the Pulitzer Prize-winning historian William H. Goetzmann and art..."
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http://www.amazon.com/Great-Books-About-Cowgirls/lm/3KL4HPJL2YEJB/ref=cm_lmt_dtpa_f_2_rdssss0/102-5630589-4473732?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=listmania-center&pf_rd_r=1BMNPFCJ8Y3SE2NG2TVJ&pf_rd_t=201&pf_rd_p=253462201&pf_rd_i=0252020294

http://www.amazon.com/Great-Books-About-Cowgirls/lm/3KL4HPJL2YEJB/ref=cm_lmt_dtpa_f_2_rdssss0/102-5630589-4473732?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=listmania-center&pf_rd_r=1BMNPFCJ8Y3SE2NG2TVJ&pf_rd_t=201&pf_rd_p=253462201&pf_rd_i=0252020294 Great Books About Cowgirls
Great Books About Cowgirls A Listmania! list by Ellen Reid Smith (Austin, TX United States)
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FILM

http://ftvdb.bfi.org.uk/sift/title/22381?view=synopsis

http://ftvdb.bfi.org.uk/sift/title/22381?view=synopsis The RODEO - NFA Catalogue

Events and personalities at the British Empire Exhibition rodeo at Wembley Stadium. Rl. 1. Shot of Tex Austin (43-54); some of the cowgirls taking part in the World Championship contest (113-133); Mabel Strickland (136-143); Bonnie McCarrol (147-153); Donnie Glover (158-164); Fox Hastings (176-184); Helen Elliot (187-193); Ruth Wheat (195-201); Florence Hughes (204-210); Donna Glover (213-217); Bea Kirnan (220-225). The arena, cowgirls and cowboys riding in and around in a parade (292). The judges enter on horseback - Tom B. Hickman. G.M. Jones, Phil Yoder and Tex Austin (305-369). The cowgirls bronco riding - Florence Hughes (400-419); Ruth Wheat is thrown and carried off (426-462); Mabel Strickland riding in slow motion (467-483); Fox Hastings mounts and rides (489-530). Cowboys bareback bronco riding - first rider (536-551); Frank Studenick is thrown (555-579); the next rider shot from above is thrown (596); more riders (634); a rider in slow motion (638-659). Trick and fancy roping - first competitor (662-675); Chester Beyers using two ropes (681-694); Tommy Kirnan roping his wife and pony (701-722); he then does it standing on his head (727-737). Rl. 2. Calf roping - the calf is let out (749753); when it crosses the line the rider ropes it (759-795); more competitors roping calves (803-922). Cowboys bronco riding - various competitors (925-1087). Steer wrestling - competitors ride alongside the steer and jump on to it and throw it flat on its side (1115-1243). Wild horse race, the competitors saddle and mount the horses in the arena (1254-1309). (1310ft).

http://ftvdb.bfi.org.uk/sift/title/22381
The RODEO
(1924)
Copyright date
Not available
Production start date
Not available
Production end date
Not available
Production countries
Great Britain
Notes
Not available

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http://www.modocrecord.com/97_ARCHIVES.html
Cowboy Hall of Fame comes to Modoc County
Tucked away in the high mountains of Modoc County in North Eastern California a lady of rodeo resides in a rest home. Reba Perry Blakely shares a room with her trunks of writings, tapes, newspaper clippings, pictures, memorabilia and memories.
By 1930 Reba Perry had be come a World Champion Re lay Rider. Small and petite she could fly like the wind on race horses and she was in great demand by owners of some of the best horses on the circuit. She was well known for her flat racing, relay races and pony express expertise throughout Washington, Oregon and western Canada.
At the Ellensburg, Wash. rodeo in 1928 Reba encountered some of the world Cham pion Cowgirls, such as Vera McGinnis, Vedal Tindel, Rene Shelton, Mabel Strickland, Tad Lucas and Fox Hastings. Working with these outstanding Cowgirls was a complete thrill for the young horsewoman.
Vera McGinnis, trick rider and movie star from Hollywood, Calif. and Reba soon became close friends even though Reba was fifteen years her junior. Vera invited the little cowgirl from Washington to come to California and she would teach here trick riding. Career until 1954.
A Rodeo Historian and Western Heritage Researcher has been her goal in life to record the history of rodeo on tape and typewriter.
Reba has been on assignment for many newspapers and magazines in the West and has trunks of articles and clippings to prove it. She is a recognized researcher, author, and authority of early days of the West. Her historical articles are well known through out the media.
Following the rodeo circuit led Reba to Alturas, Modoc County, California where she was friends with another rodeo great, the late Hippy Burmister. Traveling in her car with her typewriter, tape recorder, trunks of clippings and letters and other meager belongings she moved into a little cabin in 1990 in Alturas.
Reba Perry Blakely was inducted into the Cowgirl Hall of Fame in 1979 as a Western Heritage Honoree. Their narration of her was, "Reba became an accomplished trick roper, rider and pony express contestant. She was a World Champion Woman's Relay Rider as well. Reba drew on her knowledge to become a recognized researcher and author of western and rodeo history. Her articles have appeared in dozens of magazines and newspapers while she has spent over 50 years documenting the coming of the pioneer and the horse to the west."
After months of correspondence the decision was made to induct Reba Perry Blakely into the Western Heritage di vision and the Rodeo Historical Society of the Cowboy Hall of Fame.
The rodeo historian could not go to the Hall of Fame in Oklahoma City, Okla. so the Hall of Fame came to Modoc, the presentation must be made.
On April 30, 1997, Cecil Jones and his wife Fran of the Rodeo Historical Society from the Rowell Ranch Rodeo from Hayward, Calif. made the trip to Alturas to make the presentation. When Cecil presented the honoree with her gold medal lion, plaque and corsage, Reba was ecstatic and thrilled beyond her wildest dreams. Even in her wheelchair with oxygen helping to fill her weak lungs she was overjoyed.
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http://www.truewestmagazine.com/cgi/Blah/Blah.pl?b-WOTW/m-1151952243/s-all/

exact copy of

http://www.cowgirls.com/dream/cowgals/hastings.htm
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Dubious 1916 date for Fox's performance

http://www.livestockweekly.com/papers/96/01/25/25bean.html

Black Cowboy Bill Pickett
Gained Fame Throughout West
By Tom Bean
Bill Pickett was born December 5, 1870, in Travis County, Texas, about 30 miles northwest of Austin. He was the son of Tom and Mary Pickett, former slaves who had been brought to Texas by their owners, the Barton family of South Carolina. They came to Texas in the 1850’s. Bill’s mother had Cherokee, white and Negro blood.
The fifth grade in one of the little country schools in Travis County was as far as Bill got in the way of an education. He was a bright, energetic youngster who was always ready to run an errand for a few pennies or a nickel. Being raised on a farm where there were livestock, Bill grew up without fear of horses or cattle. When he saw a forty-pound bulldog holding a cow by sinking his teeth in her upper lip, Bill decided that he could also do that.
He was about 15 years old when he came by where some white cowboys were having a hard time holding some calves during a branding. Bill told one of the cowboys that he could hold a calf by himself. The cowboys didn't believe it. They planned to have some fun out of Bill. One of them roped a calf, threw him, and told Bill to tie on to him. Bill caught the calf’s upper lip with his teeth as he had seen the bulldog do. The calf didn't bawl or move while the cowboys applied the hot iron and completed their work on the calf.
Up to that time, the term "bull-dogging" referred to getting cattle out of the brush by the use of dogs. Two dogs were usually used, one a heel-dog to nip at the cow’s heels while the other one caught and held her by the lip until a cowboy could come with a rope and tie the cow to the nearest tree. When Bill held that first calf for the white cowboys to brand, that was not only the beginning of bulldogging as we know it today, it was also the only one of the several rodeo events that can be attributed to one person, Bill Pickett.
And it was the beginning of the spectacular career of one of the most popular and long-lasting rodeo performers in the history of that sport.
Bill liked to work around stock. After he held that calf like a bulldog, he became a much talked-about youngster around the Austin cowpens. He and his four brothers rode their milkpen calves and tried to get them to pitch, and roped them like all farm boys did. This had to be done while "the old man" wasn’t looking. The Pickett boys all dreamed of being cowboys and rodeo performers.
By the time he was sixteen, Bill began to put bulldogging to work by helping get wild cattle out of the
brush on the ranches around Austin. He developed the art of bulldogging from a horse, just as you see this act performed in rodeos today.
Bill and four of his brothers rode broncs on Sunday afternoons anywhere they could get a crowd together, and picked up a little pocket change by "passing the hat." Bill’s first performance as a professional bulldogger was in a wild west show in Nashville, Tennessee, before a reunion of Confederate veterans. The old warriors were amazed when they saw Bill catch a steer and bulldog him, using his teeth to hold the steer.
December 2, 1890, Bill Pickett and Maggie Turner were married in Taylor, Texas, by a Baptist minister. Bill and Maggie became the parents of nine children, two boys who died in infancy, and seven girls who all lived to maturity .
In the 1890's, Bill and four of his brothers, Ben, J.J., C.H. and B.F. Pickett, organized "Pickett Brothers Bronc Busters and Rough Riders Association." They advertised: "We break all wild horses with much care. Good treatment to all animals. Perfect satisfaction guaranteed. Catching and training wild cattle a specialty."
Bill had a dusky, copper-colored complexion. When he
reached manhood he weighed 145 pounds, was all muscle, stood five feet seven inches tall, with thin legs, broad shoulders and strong arms.
Florence Reynolds, a cowgirl bronc rider, said of Bill: "He was a great bulldogger and pickup man. I wouldn’t have anyone else pick me off a bronc. He was a good, kind person. I visited with him several times. Everybody liked Bill. He didn’t talk much."
Bill worked for a rancher named Lee Moore at Round Rock, Texas. Moore was so impressed with Bill's way of bulldogging that he became Bill's show manager, and entered him in shows in such cowtowns in Texas as Fort Worth, Houston and San Antonio. Moore showed Bill in Arizona and Colorado, also.
Dave McClure, a well known figure in rodeos, and himself a performer, managed Bill in 1903 and 1904. He billed him as "the most daring cowboy alive". A Denver Post article on Cheyenne Frontier Days, said of Bill Pickett and Ira Wines, "For bronc busting and steer throwing unequaled, they will give an exhibition at Cheyenne. They are the best in the world at their specialties."
Guy Weadick, a Canadian cowboy and rodeo performer, teamed up with Bill in 1905, as Bill's traveling companion and manager. Zack Miller, one of the three famous Miller Brothers (Joe, Zack and George) of the 101 Ranch and 101 Rodeo show, saw Bill and Weadick perform at the Fort Worth Fat Stock and Rodeo in the spring of 1905.
Zack told his brothers about Bill and Weadick, and the Miller Brothers booked Bill for "The Greatest Wild West Show Ever," to take place in Guthrie, Indian Territory (now Oklahoma), June 7, 8 and 9 of that year. This was the beginning of Bill's long association with the Miller Brothers 101 Wild West Show and the 101 ranch. Bill worked on the ranch as a cowboy when he was not traveling with the show.
Bill's wife, Maggie, and their seven daughters lived on the 101 Ranch part of the time, and part of the time they lived in Ponca City, so that the girls could attend school. The Miller Brothers Wild West Show was a big success, and Bill's bulldogging was one of the main attractions. When the show appeared in Chicago in May 1907, there were 90 cowboys and cowgirls, 70 Indians, 300 head of horses, cattle, and buffalo, and a number of covered wagons and stagecoaches. After showing throughout the United States that year, the 101 Wild West Show went to Mexico for the winter.
Joe Miller bet one of the Mexican promoters that Bill could stay in the ring with one of their fighting bulls for 15 minutes. Bill stayed 30 minutes, risking his life time and time again, but for the first time, he failed to bulldog his bull. That was not part of the bet. The bull's neck was so thick that Bill couldn't get his arms around it.
Bill went with the 101 Wild West Show to tour South America, showing in Argentina and Brazil. The show then went to Europe, and was showing in England when World War I broke out in August 1914. Under the British War Act, the 101 livestock and any other thing that belonged to the show that could be used in the British war effort was sequestered and paid for. The show performers were left to get back home the best way they could. The German submarines made ocean voyages extremely dangerous.
In August 1916, Guy Weadick produced the New York Stampede at Sheepshead Bay Speedway in Brooklyn. It ran for 12 days. Bill's bulldogging was the main attraction. Other great rodeo performers such as Hoot Gibson, Leonard Stroud, Chester Byers, Mike Hastings, Cowgirls Lucille Mullhall, Fox Hastings, Florence La Due (Weadick's wife), and Frances Irwin were there.
Will Rogers was performing at Ziegfield’s Follies at the time. Will managed to see the daytime show of The Stampede, and to visit a lot of his friends. Bill Pickett and Will Rogers had been friends for a long time. They were both part Cherokee Indian, and proud of it. Ex-President Theodore Roosevelt, a lover of western sports, attended some of the performances.
The Miller Brothers re-activated the 101 Wild West Show and opened in Oklahoma City April 21, 1925. It took 30 railroad cars to haul the performers, livestock, employees and equipment. There were several other shows and circuses on the road, and the 101 Wild West Show, for the first time, began to lose money.
Joe Miller died, mysteriously, in 1927. George Miller was killed in a car wreck in 1929. The bottom fell out of everything that year. In August 1931 the 101 Wild West Show concluded its last performance. It closed down in Washington, D.C. Somehow, they raked up enough money to ship everything back to the 101 Ranch. On December 16, 1931, Fred C. Clark was appointed receiver for the bankrupt 101 Ranch and its properties.
On March 19, 1932, Bill Pickett was still employed on the 101 Ranch, and was helping shape up a bunch of broncs for a liquidation sale. There were about 150 broncs in the corral. Bill roped one of them, and somehow got jerked up in the air and fell at the heels of one of the broncs. The horse kicked Bill in the head. He was rushed to the hospital in Ponca City. He never regained consciousness, but lingered 14 days, and died April 2, 1932.
Clark, the bankruptcy receiver, paid for all of Bill's funeral expenses. He said that Bill had worked for the 101 Ranch for most of his adult life, so he thought it was a proper expense of the ranch.
Will Rogers had a national radio program at the time, and he announced over the radio that Bill was to be buried on the 101 Ranch. Rogers also announced that he and Bill were close friends, and that he had visited Bill and his wife, Maggie, in their home many times.
Bill Pickett was the only black cowboy to ever be elected to The Cherokee Strip Cowpunchers Association. In 1971, Bill was elected to The National Rodeo Cowboy Hall of Fame which is affiliated with the National Cowboy Hall of Fame in Oklahoma City, an honor which he so rightly deserved.
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